At the same time, Dwight and his son, Sam (also 10), are rushing home from an extra-innings Red Sox game where Dwight tries to rebuild the fragments of attachment left after a bitter divorce. Moments before the accident Ethan watches his son standing precariously close to the curb he sees possibilities in Josh, a shy boy whose musical gifts indicate a sensitivity that is no less present, though more mature, in his father. In the opening pages Schwartz establishes strong connections between fathers and sons. His second fiction, Reservation Road, however, is a book that resists genres: a tragedy where all the characters are flawed and none are entirely guilty a thriller where the killer, Dwight, wants to be caught but is too laden with self-loathing to turn himself in and an experimental novel where the narrative jumps gracefully among three perspectives. John Burnham Schwartz's Bicycle Days (1989) received favorable reviews but seemed very much an autobiographical first novel. And that, suddenly, is all the world has to offer." This is the voice of Ethan Learner, a college professor who has just watched his 10-year-old son, Josh, die in a hit-and-run accident on a silent Connecticut road. "Explain this to me: One minute there is a boy, a life thrumming with possibilities, and the next there are marked cars and strangers in uniform and the fractured whirling lights.
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